1000 Words Photography Magazine 14

We are delighted to announce that issue 14 of our online magazine is now live. To view it, please go to: www.1000wordsmag.com

This issue is dedicated to the memory of Rosina Darch (1924-2012).

For this Autumn edition we have chosen the theme of ‘Murmur’. Silent vibrations and fugitive apparitions, the imagery showcased here derives its brilliance in the shape of its understatement, and the art at its core. Artists who translate lived experience into a pattern of photography that preserves its vitality, drawing out psychological complexities and subtleties. They are storytellers, yet their voices are calm, measured and appropriate.

Exploring that which connects and concerns the photography we have brought together, Louise Clements reports back on Eva Stenram’s ‘gently feminist’ exhibition which formed part of The Discovery Award at this year’s Les Rencontres d’Arles; also plucked from the French festival is the ethereal and melancholic work of Belarus photographer Alexandra Catiere whose series Here, Beyond The Mists is accompanied by a text from Natasha Christia; Lucy Davies of The Daily Telegraph describes a path through the work of recent RCA graduate Regine Petersen in particular Find a Falling Star, a project about Meteorites and everything; Brad Feuerhelm meets Esther Teichmann and bring us an insightful interview with the German-American artist, looking at the origins of fantasy and desire and how these are bound to experiences of loss and representation.

Elsewhere, Anouk Kruithof serves up a lively (inte)review with the formidable artist duo Adam Broomberg and Oliver Chanarin on the occasion of their latest photobook, a collection of Polaroids that ‘forms an intimate and imperfect inventory of their fifteen-year collaboration’, produced in collaboration with Self Publish Be Happy; and finally, Gerry Badger discusses Paul Graham’s The Present, his much anticipated volume which explores both photography’s relationship with time, the ‘present’, and the nature of photographic narrative, or in this case, with non-narrative.

In our dedicated Books section, David Moore lays bare the facts about Lise Safarti’s She, Michael Grieve gives his verdict on Soho, the latest in an ongoing series of city studies by Anders Petersen while Brad Feuerhelm ponders the authenticity of Nicholas Comment’s Mexico City Waltz.

Once again, 1000 thanks to our photographers and writers, editorial and art departments as well as of course our advertisers and funders for making this magazine possible.

Palais de Tokyo Young Curators Season 2013 Open Call

Dedicated to the emergence of the newest forms of contemporary art as it is, the Palais de Tokyo sees participating in the renewal of the ecosystem of art as part of its remit. This is why it undertakes to seek out and support new players, and new directions. Thus in the summer of 2013 the Palais de Tokyo is entrusting its entire programme schedule to "young curators". Selected on the basis of the proposals they submit, the winners will bear witness to the perpetual reinvention of the issues involved in curating an exhibition, their scouting talent, and their ability to dream up new ways of relating to art. This event is likewise intended to demonstrate the dynamism of Paris and the surrounding area as part of a joint initiative involving a great many partners and institutions.

APPLICATION FILE:
The proposed project must clearly demonstrate innovative thinking about exhibition formats. Whether it relates to a solo or a group exhibition, it must envisage occupying a surface area that can be as large as 250 sq. m. It must be capable of evolving in accordance with the technical constraints and the diversity of spaces that apply at the Palais de Tokyo. The selection will be made primarily on the basis of the inventiveness of the project, its curatorial boldness, and its relevance in the current field of creative work. Applicants can indicate a preference as regards the typology of space best suited to their proposal. Applicants can be curators and/or artists.

The application file will consist of:

1. a statement of intent
2. an illustrated list of proposed artists (and/or works)
3. an estimated budget in euros comprising the items: production of works, transport, materials and equipment required
4. a CV
5. an artistic documentation giving a short description of the previous curatorial projects carried out by the applicant
6. anything else likely to shed light on the proposed project

File to be forwarded before 30 September, 2012

- In digital format to: youngcurators@palaisdetokyo.com
- As a hard copy to: Palais de Tokyo, Young Curators, 13 av du président Wilson, F-75116 Paris, France

ELIGIBILITY REQUIREMENTS:
Applicants must be under 40 years of age.

SELECTION METHODS:
The Palais de Tokyo will bring together a jury consisting of seven curators from its team, its President, Jean de Loisy, and several suitably qualified notabilities. Following an initial selection, the applicants chosen will present their proposal to the jury in person. The traveling expenses of the applicants selected to present their proposals orally will be covered by the Palais de Tokyo. Between ten and fifteen winners will be named following this second phase.

FOLLOW-THROUGH OF THE PROJECT:
Each winner will be assigned a curator as their main contact at the Palais de Tokyo and will be supported by the production service throughout the implementation of the project. The total estimate budget for the season is 500,000, excluding caretaking and security, mediation and communication. Each curator selected will receive a sum of 1500 euros as a fee, not to be included in the estimated budget.

TIMETABLE:
Call for applications: beginning of June 2012

Applications to be submitted before 30 September, 2012

Oral interviews of those selected in the first round: 5 November, 2012

Winners announced during the week of 5 November, 2012

Exhibition: June 2013

APPENDIX:
For information, a plan of the Palais de Tokyo etc click here.